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"Good night the pleasure was ours is the third and final entry in an ensemble of book-length poems that includes Now that the audience is assembled and The Voice in the Headphones. Whereas the other two books focus on the concert and the recording studio, Good night the pleasure was ours describes three decades worth of touring, going back as far as David Grubbs' high school band Squirrel Bait. These groundbreaking works, which can be read in any sequence, spring from the idea of literature as a medium for writing about music. This trilogy represents through close description three sites of musical experience: the concert, the recording studio, and the tour. They aim to open up music writing to greater experimentation while at the same time serving a documentary function amidst changing musical cultures"--

Musicians --- Concert tours --- Music --- Travel --- Performance

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From packing the right equipment to keeping enough gas in the tank to get home, every aspect of making a successful tour with a band is addressed in this comprehensive guide. More than 100 luminaries and leading organizations from the world of touring?among them Chris Connelly, Henry Rollins, the House of Blues, and the Vans Warped Tour, as well as club owners, tour managers, and even sex advisors?provide handy insider know-how along with insight on mistakes commonly made by novice bands. Chapters address the nitty-gritty of touring, with instructions

Concert tours --- Musicians --- Music publicity. --- Music trade --- Publicity, Music --- Arts publicity --- Artists --- Concert touring --- Tours, Concert --- Concerts --- Management --- Travel.

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"This original new book has a unique focus on diva camp as popular music praxis. The author analyses case studies of diva concert tour shows in order to present a performance studies reading of camp, the culture-sharing process of production, and audience reception. Detailed case studies include contemporary stars Madonna, Kylie, Beyoncé, Lady Gaga and a look at audience drag. The book contains detailed descriptions of artists’ performances, along with the analysis of exciting and popular contemporary performers. The emphasis on camp is particularly interesting, as thinking about queerness has pushed camp into the background in recent years. This is an interesting and exciting revival of the question of camp in contemporary queer performance. The book considers and investigates the relationship between camp theory as an academic subject and the figure of the diva as one that utilizes and expresses camp in various ways. It seeks to establish how camp is appropriated or owned by the diva and how this impacts on, and is in turn appropriated and owned by, the audience. Primary readership will be among researchers and educators working in the fields of cultural studies, performance studies, theatre studies, music studies, LGBTQ+ studies, critical race studies, as well as undergraduate students interested in these topics. It will be a useful classroom resource and addition to recommended reading lists. The Music Diva Spectacle may have interest for more general readers with an interest in the subjects of the case studies, but the main focus is on the academic market. "--

Concert tours --- Gay culture --- MUSIC / History & Criticism. --- Music --- Music --- Sexual minority culture --- Women singers --- Social aspects. --- Social aspects. --- Social aspects. --- Social aspects. --- Social aspects. --- Social aspects.

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78 <09> --- Muziekgeschiedenis --- Schrey, Julius --- Amerika --- België --- 78 <09> Muziekgeschiedenis --- Amerika. --- België. --- Briefwisseling --- Componisten --- Compositeurs --- Correspondance --- Schrey, Julius J.B. --- Musicians --- Concert tours --- Musiciens --- Tournées (Arts du spectacle) --- Correspondence --- Schrey, Julius J. B. --- Tournées (Arts du spectacle) --- Biography --- Composers --- Belgium --- 78.17 SCHR --- Schrey, Julius J.B. (+ foto's) --- Muziekleven --- 19e eeuw --- SCHREY, Julius Jan Baptist